In 1982 Green was honored as a Fellow of the Hymn Society in the United States and Canada.įor harvest thanksgiving but also for Labor Day services and other occasions that focus on social justice. His hymn texts, numbering over three hundred, have appeared in most recent hymnals and supplements and have been collected in 26 Hymns (1971), The Hymns and Ballads of Fred Pratt Green (1982), and Later Hymns and Ballads (1989). Though he had written a few hymns earlier, Green started writing prolifically after 1966, when he joined a committee to prepare the Methodist hymnal supplement Hymns and Songs (1969) and was asked to submit hymn texts for subjects that were not well represented.
A playwright and poet, he published his works in numerous periodicals, His poetry was also published collectively in three volumes, including The Skating Parson (1963) and The Old Couple (1976). That message is so necessary at North American harvest feasts!Īlready in the 1970s Erik Routley ( PHH 31) considered Fred Pratt Green to be the most important British hymn writer since Charles Wesley, and most commentators regard Green as the leader of the British "hymn explosion." Green was educated at Didsbury Theological College, Manchester, England, and in 1928 began forty years of ministry in the Methodist Church, serving churches mainly in the Yorkshire and London areas. Although the text is a modern one, it expresses the same message as did the Old Testament prophets: offerings of thanksgiving are acceptable to God only if "the orphans and the widows" have received loving care (see Isa.
That thanksgiving tone, however, functions as a frame around stanza 2, which reminds us that thanksgiving must also be shown in our deeds of sharing God's bounty with those in need. The text's theme is thanksgiving: in stanza 1 for the natural harvest and in stanza 3 for the spiritual harvest. "For the Fruits" has become a popular harvest thanksgiving hymn. The text was first published in the British Methodist Recorder in August 1970. Pratt Green carefully matched the "Thanks be to God" phrases to fit the short but powerful cadential motifs in Francis Jackson's tune.
Roby, Liverpool, Lancashire, England, 1903) wrote the text specifically for the tune EAST ACKLAM with its somewhat unusual meter.
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